The Vegetational Fatherhood: Fairy Tale vs. Kunstmärchen
The Vegetational Fatherhood by Mynona has a number of elements that are characteristic of fairy tales, and also a number that are characteristic of Kunstmärchen. I found that the story was similar to traditional fairy tales because of the element of transformation. “The rose transformed itself into a handsome young man…” and the daughter transforms into a rose every night during prayer time. The Vegetational Fatherhood is also like a fairy tale in that it has an element of religion. For example, at one point on page 583 Mynona writes that creatures who pick flowers and plants are sinning. Also, the mother and daughter pray together every night. I think that the fact that the daughter transforms into her rose-self during prayer time emphasizes the piety of nature.
The Vegetational Fatherhood contains a number of Kunstmärchen characteristics, as well. First of all, the roses are often personified, “This rose fixed its magic eyes…” Also there is definitely a sexual (inappropriate for children) aspect, “The rose transformed himself into a handsome young man, who embraced and enjoyed the woman…she utterly abandoned herself to him. ..Her lap was covered with rose petals, her clothes in disarray.” As discussed in class, Kunstmärchen often have a sense of irony. In the story, the mother chooses Dr. Floris Rosenberger to be his daughter’s husband. The name suggests flowers and roses, which may have been why her mother chose and trusted him for her daughter. In the end though, Dr. Rosenberger was the cause of the rose-daughter’s death. Lastly, The Vegetational Fatherhood is like a Kunstmärchen because of its tragic ending: not only does the rose-daughter get thrown off a balcony by her new husband and die, but her (somewhat) innocent husband and mother get thrown into an insane asylum.
The Vegetational Fatherhood contains a number of Kunstmärchen characteristics, as well. First of all, the roses are often personified, “This rose fixed its magic eyes…” Also there is definitely a sexual (inappropriate for children) aspect, “The rose transformed himself into a handsome young man, who embraced and enjoyed the woman…she utterly abandoned herself to him. ..Her lap was covered with rose petals, her clothes in disarray.” As discussed in class, Kunstmärchen often have a sense of irony. In the story, the mother chooses Dr. Floris Rosenberger to be his daughter’s husband. The name suggests flowers and roses, which may have been why her mother chose and trusted him for her daughter. In the end though, Dr. Rosenberger was the cause of the rose-daughter’s death. Lastly, The Vegetational Fatherhood is like a Kunstmärchen because of its tragic ending: not only does the rose-daughter get thrown off a balcony by her new husband and die, but her (somewhat) innocent husband and mother get thrown into an insane asylum.
I agree with your points supporting how the story is both like a traditional fairy tale and a kuntsmarchen. Along with the transformation and religious aspects, the tale also introduces an element of enchantment and magic.