"The Pitch"
Here's the basis of our "movie pitch" (i.e. background, scenario, setting, etc.) Since we started an e-mail thread and kept sending our ideas building on the previous person's e-mail, I figured it'd work best to just put everyone's ideas right here together:
Keene's version presented a dark, empty and harsh world during the time of witch-burning. There was also a clash between christian and pagan beliefs and a mix of irrational gender associations. I think his version of 'Hansel and Gretel' would be in the same setting, but just next to woods... obviously.
He also played to the psychological coherence of the story with complex characters, etc. In the case of this story I believe he would portray the era in a time of severe famine since fairy tales tend to adhere to that sort of genre of wish-fulfillment. Child anxiety of abandonment and starvation, therefore leading to thoughts of cannibalism, would certainly come into play. The reading in Tatar mentions "unrestrained giving in to gluttony," "cannibalistic inclinations," and "oral greediness," which could all play a part in Keene's dark world deeply rooted in child anxiety, fear and famine. The setting should be simple in itself (rural, next to the forsaken woods, etc.) while supplying a platform for the development of the complex characters of Hansel and Gretel.
I also picture Keene placing Hansel and Gretel in their early teenage years right when they are starting to explore themselves. This way she could twist it into some sort of awkward incest non sense in the woods, perhaps touching on cannibalism and gender inequalities. So possibly the children go into the woods twice, once to explore and once to be caught.
Keene's mellow demure also makes me question if the witch would die by being shoved into the stove or if would happen more calmly. Possibly the children could trick her into poisoning herself while she is making the stew to cook them in.
I assume Keene would have the step mother run the children into the woods by telling them their father no longer loved them. Also, if the town was in some sort of depression I feel the witch's house in the wood would be very lavish compared to their home they just left.
And if this is supposed to a depiction of the real life events that result in the tale of Hansel and Gretel, like with Keene's Juniper Tree, I think the ending needs to be drastically different than the conventional story that we all know. I think Hansel and Gretel should not cleverly escape the witch and end up being eaten. Perhaps one sibling could survive?
Also, I was thinking that perhaps the way that Hansel and Gretel find their way home the first time would be different. Maybe instead of using pebbles they are able to use the stars to guide them. The second night when they try to use the stars it is cloudy or something so that do not have anything to guide them. The reading suggested that the characters show wisdom in what they do the first time , but the second time they foolishly use bread instead of trying to remember landmarks. Perhaps in Keene's version of Hansel and Gretel the circumstances for their inability to show wisdom will be out of their control (i.e.. clouds blocking the stars)
Also, Keene would probably introduce a class or cultural struggle between the characters. The father and mother could make the children work for a wealthy widow (possible witch-figure) in order to make money for the family to live on. But since they despise the horrible widow, they run away. To put a "Keene twist" on denouement the mother could have died from starvation by the time they reach home, but the children have enough money to survive on meager funds.
(The "I" should be taken collectively, as it represents the views of the group.)
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Overall, I really like this pitch. I agree that Keene would probably make the death of the witch less dramatic. I can definitely picture the witch consuming poison and then slowly falling to the ground on the side of the screen as some calm cello music is played. Also, the "lavish"ness of the witch's house could be simply because it's a nicer house, but I think the addition of having tables filled with bread could connect the idea of famine to the appeal/temptation of the unknown.
ReplyDeleteAs far as using the stars go, I don't think the children were less wise by using bread: They were unable to get the pebbles before they set off, and it'd be hard to casually scoop up pockets full of pebbles on their way out the door. However, faced with using bread rather than stones, perhaps the temptation to eat their meager rations could be the difference.
ReplyDeleteStargazing is a little tricky in the middle of the forest.